Breakfast and arrivedercis, one last bounce down the long dirt
road ensuring yet another rental car deposit to be forfeited. Mandy weeps as we leave the Tuscan countryside,
such is the emotion this place elicits. Regaining composure, she resumes her duties as navigator, Ellen Griswold to my Clark.
The highways are great here and we get to the Florence city limits
in about an hour. Florence streets are
infamous, so it takes another 30 minutes to get to the rental car dropoff in
the historical center. The closer we get
the more frenetic the pace, the more narrow the streets and the more dense the
pedestrians. We sacrifice a handful of
tourists in the last few blocks in the name of progress, and the cabbie, a cute
but fiery woman of about 30, takes out a few more on the final approach to our
hotel. The place is packed packed packed
during this end of the high season.
Romantic couples, wedding parties, guided groups and oblivious selfiers
buzz the piazzas and connecting streets.
Our hotel is on the corner of Piazza Della Signoria, the famous square
in front of the Palazzo Vecchio and home of the Ufizzi Gallery. Coming from the tranquility of the Tuscan
countryside, we have a physical reaction not unlike that of too much espresso,
which we probably also had.
The door to the ten room In
Piazza Della Signoria B&B is marked only by the number “2” nameplate to
the right of the doorway and the name in small letters by the buzzer to the
left. Walking in, our pulse immediately
settles. A warm reception by family
members and we are shown to our room.
Huge by any international city standards, three times the size of the
average hotel room in Paris or NYC. The
rooms are named after the Masters, and ours, Leonardo, is beautifully adorned with high ceilings, period correct
furnishings, fantastic artwork and two big windows overlooking the square. It’s a much-appreciated oasis from the
craziness outside.
We set out, through the square to the Ponte Vecchio, the famous
bridge over the Amo River, enjoying the street artists along the way. Although the artists typically paint what
sells, depictions of the Duomo, Fierenze cityscapes and Tuscan landscapes, we
start to notice each artist’s individuality and aesthetic. Scattered in at each stand are a few passion
pieces, markedly different then the rest and a peek into the artist’s sense of
their art.
Mandy pre-purchased tickets for the Ufizzi and thank god she
did. The lines are crazy, but we’re
inside in about 10 minutes. Loaded with
the Italian greats, my favorite is Botticelli’s The Birth of Venus, which we take a few special minutes to
absorb.
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