We’re out earlier today, driving across the desert floor to pick up route I-10 near the San Gorgonio Pass Wind Farm. Even though it’s been good and windy these last few days, about a third of the turbines are not spinning. We also notice that every single one of the 666 bright white poles all are stained black by the gallons of sticky oil leaking from the nacelle housing the gearbox and generator. Clean energy. Hmmmmm. I’m no hater, but this cannot be good.
But of more immediate concern is what this morning’s wind is
bringing. Dust. Lots and lots of choking desert dust. It apparently happens often enough that it
even has a name. They call it a “haboob”
here, which I think translates to “that’s life in the big desert”. First we see it up the road like smoke from a
wild fire. When we drive into the wall
of it, we’re in whiteout conditions, visibility cut to just a few yards. As soon as we get on the highway, we start
the rapid ascent up the Orocopia Mountains blessedly leaving the dust in our
dust. It’s a second sunrise as the sky
turns bluer with each passing mile.
Fortunately, the car is already dust covered from our last few days, so
no harm, no foul, no surcharge.
We make the town of Joshua Tree in about 50 minutes and hang
a right into the north-western entrance of the park. Its Saturday so Mandy is taking the
Disneyworld approach… get there early, go to the furthest point before the
crowds and work backwards. That woman is
a logistics genius. Our first stop is
Skull Rock, one of the most popular attractions. As planned (by Mandy, I just steer), parking
is easy and close. A nice couple from
Wisconsin (like there’s any other kind) offers to take our picture. Of course, he’s a professional photographer…
he’s from Wisconsin and I think there’s a law there that you need to have at
least a minor in photography before you travel just in case you have the
opportunity to take someone’s picture.
You meet the nicest people on the trail.
Starting from the skull, we embark on the Skull Rock / Jumbo
Rock Loop trail. It’s beautiful and fun
right from the get-go and there are plenty more rock creatures to
discover.
We pay particular attention to the diagonal scars found in
so many of the formations here. Called
dikes, they appear as broken terrace walls laced through the boulders. We later find out that these lines form when
molten rock was pushed into existing joint fractures of the older stones. Looking like the work of a stonemason, the
molten rock broke into uniform blocks when exposed to the surface.
Heading north, we hang a left and do a detour up Geology
Tour Road. It’s the same road we drove up last night to stargaze,
but we obviously didn’t see any of the landscape in the dark. The road is largely untraveled, peaceful. Large swaths populated sparsely with the park’s
namesake trees. Views to the horizon. We drive along without speaking, just looking,
absorbing, mesmerized. It gets rougher than
the Toyota sedan can handle after about 4 miles, so u-bee it is.
Before it was a national park, there were a few inhabitants here. To see the remnants of those hardy (crazy?) residents,
we set out on the Ryan Ranch hike, an easy mile out and back with less then 150’
of elevation. It’s cool and sunny and we
make good time to the adobe structure that belonged to J.D. Ryan, the operator
of the nearby Lost Horse Mine in the late 1800s. It’s not the remaining walls that capture our
interest, but the many hundred feet tall pile of rocks behind it. On Mandy’s suggestion, we decide to free
scramble our way to the top.
Our highest elevation of the trip comes at Keys view, a 20
minute drive to the peak 5,185 feet above sea level. We can easily pick out the San Andres fault
and the Salton Sea from our high vantage point. On a clear day, you can see Palm Springs and all
the way to the Mexico border. But what
we see today in the distance is dust.
That same dust from this morning, still filling the entire valley hours later,
and from here we can see the full extent of the anomaly, a thick white line
between us and distant mountains.
Starting to crash, it’s back to the Joshua Tree Saloon for a
late lunch-and-libations. Even though it’s
an honest-to-goodness western saloon, it’s still a California joint. We are reminded of this when our rough-and-tumble
barmaid lets us know that any burger can be made as a lettuce wrap. I’ve been watching carbs since January, so we
take her up on her offer. Including the two
bottles of Mich Ultra, I keep lunch under 6g.
Mandy may have had other plans after lunch. OK, she absolutely had other plans after
lunch. I throw a wrench into the works
when I tell her I want to hike to that house.
You, know, that house you showed me when you were
researching. Turns out it’s called the Eagle
Cliff Boulder House, and it’s waaaay at the end of (and tippy top of) the Desert
Queen Mine hike. It’s the longest,
steepest trek of the day which means we probably should have done it
early. When we were fresh. And weren’t worried about losing sunlight. And our legs aren’t already sore. And I haven’t had 2 beers. The fastest route there takes us west along 29
Palms Highway for 20 minutes, into the park at the 29 Palms entrance and then
another 20 minutes down the park road. We
turn off the paved road, and drive so far down the dirt path that we both start
to doubt we’re in the right place (her out loud, me never admitting anything of
the sort 😊). Sure enough we find the trail head and start
out, first dropping 200’ or so into a canyon, only to immediately climb back up
the other side. It’s here we start
passing the remnants of the mine – vertical grates covering the mineshaft
entrances, horizontal grates covering the ventilation shafts, plus a
splattering of long retired mining equipment which was abandoned in place. History frozen in time.
Half way up we pass an artist sitting cross legged on the
ground, just starting to sketch an unremarkable little tree. Nod, push on.
The views are better and better with each step higher. We’re pushing, quads groaning. Last few segments are steep, narrow, loose
rocks act as ice if you hit them wrong.
We make the top and seek out our destination. Legend we heard is a WWI vet in the early 1920s
was given a poor prognosis and only a few months to live. He decided to bear it out alone on the top of
this mountain, where he fashions a rudimentary 150 square foot home from a cave
plus a bit of timber and some ingenuity.
The “stove” was a fire pit with a stone chimney fashioned in
the crevasse between two of the boulders that form the back wall. Wooden crates serve as storage. A lower section in the cave served as a
bedroom. Apparently the desert air did
him wonders and he spent his last 20 some years here. The place is beautifully preserved with many of his possessions still present. We wonder aloud how difficult gathering the
most basic supplies would be with the nearest town a full day horse ride
away. And I can’t even imagine what a
pain it would be to dust before company came over.
Less rushed on our way down, We stop for a few landscape pix. Passing the artist again, I glance at her
tablet, and the yellows and browns and golds of her pastels. It makes me look at her subject tree and I
realize that her art lets me see the plant, one of millions here in the park,
as remarkable thanks to her artistic eye.
We’re lucky to have one last sunset here and find a location
with a long view. We sit and snap and
kiss and sit. I lay and Mandy sits
perpendicular facing the sunset with me as her backrest. Fade out.
We try Pappy and Harriet’s in Pioneertown for dinner, about
20 minutes out of the way, but the place is packed with a 90 minute wait and
our trail worn bodies need to be satiated.
Down the hill, right on the side of Rt 62 is the Snake Bite Roadhouse. Looks old diner-ish, we try. Genuine biker bar complete with Hells Angels
in colors splattered among the eclectic boho crowd. But there’s something welcoming about the busy
place. Mandy finds seats at the bar between
a genuine cowboy and a guy who manages a golf resort in Palm Springs, one nicer
and chattier then the other. Young
women, really lean in to vintage fashion, one is a ‘20s flapper getup
(including the beaded bell shaped cloche hat), another in a full 1960s wedding
dress. It’s like the bar scene from the
original Star Wars, but with better music.
When Mandy orders a glass of wine, the bartender responds with “you want
the mom pour?”. We look puzzled, so she
continues “I’ll just fill it all the way to the top!” Yea, Mandy wants that.